More on Manon

19 Jul

It’s been almost a month since I saw the Royal Ballet do Manon in DC, but I’m still kind of basking in the afterglow.  This is encouraged by the fact that the RB just wrapped up a historic stint in Cuba, as that was their maiden voyage to Cuba and they are the first major ballet company to perform there since the Bolshoi, which was 30ish years ago.  Oh and there is that guy…Carlos whatshisface who’s only making his debut in his home country where ballet is somewhat respected.  And what I really mean by that is according to theballetbag on twitter, the Cubans are crazier than the Japanese fans.  And trust me when I say the Japanese put the fan in fanatic.  They love their girly-girl princess stuff like ballet and figure skating, and I actually went to the figure skating world championships when they were in Tokyo in 2007 (I was living in Tokyo at the time) and can confirm that the fans were certifiably nuts.  But mainstream popularity is good (NHK, one of their major networks regularly shows ballet competitions and documentaries…can you imagine if NBC did the same?) so long as the stars are safe.  In fact, Marcelo Gomes of ABT fame has a Japanese stalker who travels to see him perform, but he seems to appreciate that he was able to touch her with his dancing.  Meanwhile, I read about Marcelo in “The Advocate” and if I know Japan like I do, stalker lady has a blissful relationship with that river in Egypt if you know what I’m sayin.

Anyway, RB did Manon in Havana, of course starring Tamara Rojo and Carlos Acosta (by the way, what is it with the weird nicknames fans give him?  The ‘Flying Cuban’, the ‘Beast of Ballet’ and my personal favorite the ‘Cuban Sex Missile’), and I reflect fondly upon my experiences as an audience member.  I didn’t realize at the time how much I loved the score, and now that I do, I can’t get over how exquisite it is.  I was kind of biased when I saw it because I was confusing Jules Massenet with Jules Mouquet; both composers with the latter having written a piece I once played entitled “La Flute de Pan,” which quite frankly is kind of sheety.  This is why I so often second guess myself though, because half the time I have no idea what I’m talking about.  Jules Massenet on the other hand, does happen to be the composer of one of my favorite pieces of music, Meditation from his opera Thais.  This is a part of my “relaxing music” playlist that soothes the inner beast.  It’s also known in the ballet world for a pas de deux choreographed to it by Roland Petit, as well as track 16 on the CD “Ballet Technique.”  Have I digressed?  Anyway, Massenet is massively fabulous and I am now dying to get my hands on a CD of the score.

In other news, does anyone even know how “Manon” is actually pronounced?  Is it MA-non or ma-NON?  Every time I talk about it with people it seems like they say the opposite of what I say, and I end up feeing stupid, but even Tamara and Carlos don’t seem to agree, as seen in this studio footage and interview released by Royal Opera House:

I really loved hearing what Tamara had to say about Manon…I find her insightful in such a way that tells me this kind of ballet is right for her, as opposed to the flashy classics.  A lot of youtube commenters complain about her being a little stone-faced as a Kitri, and maybe Don Q isn’t the best role for her, but every dancer has their niche (although if you watch her do Don Q, there’s one video where she does triple fouettes while manipulating a fan.  MAD skills people…MAD skills).  The following was broadcasted on NHK (told you the Japanese love their ballet!) and she tells us more with an oh so subtle dig at the Soviets. (the brief statement in Japanese in the middle I can translate for you…the narrator just says “Act I: The Bedroom Pas de Deux.  Des Grieux and Manon express their deep, burning love for each other)

So I’ve been on this youtube kick to find as much footage from Manon as I can, and I already posted the bedroom pas de deux in my initial review (in “The Royal Ballet kicks royal Boo-tay“), and have now found a video of Carlos performing one of the “mandagges” I was talking about in addition to the pas de deux they’re rehearsing from the footage I posted above.  I think that one might be my favorite, and certainly the music is choice as that’s probably my favorite melody in the ballet.  Meanwhile, if you read my review, you may also recall that Tamara has the most freakishly flexible feet, and if you would like to see for yourself, pause the following video at 3:52 and take a moment…and consider what it is you’re really looking at.  Take another moment if you must…it’s a lot to process.  But she sure knows how to use them.

And now…a video of the SWAMP pas de deux.  The climactic, tragedrama ending, which still gives me goose bumps, unlike the person who left a comment on this youtube video.  (By the way, why is it that people who comment on ballet videos are some of the most toxic, vicious and overly critical people out there?  To call Tamara boring is just nasty.  Not even my dad, who knows zilch about ballet was bored, and tell the woman 2 seats down from me who was sobbing hysterically that Tamara was boring.  Mm hmm!)

There’s also a part 2 to the above clip, but it’s just the curtain call.

So, my little chicken pot pies, Manon was truly an epiphanous revelatory “eureka!” moment for me, because it completely changed the way I look at ballet.  I’m actually kind of mad at myself for having initially been more excited to see the Bolshoi do Le Corsaire, but aren’t the best moments in life the unexpected ones?  I mean hello, I still can’t stop thinking about the whole experience, and am dying for it to be released on DVD soon.  So to close, I give you a trailerish clip, where you can see more of the RB’s fabulous corps, lots of comedic moments (including a lot of slapping), and a bit from the “drunken variation.”  Not to mention the third act when Manon is sold into prostitution…reminds me of the little girl in the audience who after reading the program asked her parents “what’s a prostitute?” (or “prostie” for short, for anyone who happens to be a trendy Australian)  And there goes the prize for the most awkward question ever…bet they wished they were at the Nutcracker instead.  Oh the scandalosity! 

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2 Responses to “More on Manon”

  1. Hilary July 21, 2009 at 10:30 am #

    I just wanted to say thank you for the limitless chuckles I get just from reading your “mumbo jumbo” box. That a single blog could incorporate hermit crabs, hobos, obnoxious children, spicy chicken heads and wedgies is simply a testament to your prolific writing ability 🙂

    • youdancefunny July 21, 2009 at 3:26 pm #

      Sometimes I do wonder if I’ll ever use half of those tags again.

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