Sumptuously Ominous…or Ominously Sumptuous?

30 Oct

Dear readers, today I have a special treat for you, a review of Othello, as performed by the Joffrey Ballet and written by my friend Hilary with one L (who you may remember hates enchanted forests and she’s the one I went to see Le Corsaire with).  She is also the author of her own blog, The Cupcake Avenger, which includes a great assortment of recipes and reviews of various gourmet bakeries.  So if you ever get the opportunity to see the Joffrey in Chicago, be sure to check out her blog for advice on where to get sumptuous cupcakes.  We all know ballet fans have refined tastes, so accordingly, your run of the mill grocery store cupcake or even the slightly higher end Starbucks variety simply won’t do.  We have more eclectic and often seasonal tastes, like pumpkin or apple spice in the fall.  So be sure to check out her blog for the benefit of your taste buds.  Seriously, she’s doing the work to find these hole-in-the-wall bakeries so take advantage of it.

So onto her review!  (with a few comments here and there from yours truly) *Also, all pictures are copyright of whomever took them.  This is totally educational.

Sumptuously Ominous…or Ominously Sumptuous?

The playbill for the Joffrey Ballet tells us that they are “America’s Company of Firsts.”  The first dance company to perform at the White House, the first to appear on television, the first to visit Russia, you get the idea.  However, I would also add that they may be the first to field an Othello with a six-pack. I mean, look at him. Seriously, just look. *drool*

Picture1

Steve says: Approved!

Ok. On to matters of substance.

On my trip to Chicago last weekend I was lucky enough to score a ticket to the Joffrey’s presentation of Lar Lubovitch’s Othello, which ran through October 25th at the gorgeous Auditorium Theatre.  In another first for the Joffrey, this presentation was the Midwest premiere for Lubovich’s 1997 work. Having already shown on both coasts in New York and San Francisco, it seems appropriate that this incredible piece finally makes its heartland debut in Chicago, Lubovitch’s hometown.  Another first you might notice is that this is a full-length American ballet (possibly the only American commissioned full-length work?  I’ll leave that research to Steve) [I looked into it and couldn’t find any info.  Most American ballets are one act, with the only full-length ones I can think of being A Midsummer Night’s Dream and Jewels and I don’t believe either was commissioned.  So I’ll go with “yes” and recklessly deny whatever the truth is]  Anyways, though the piece was a full evening with three acts, it did not feel lengthy in any way and, in fact, I could have watched all night.

What I loved about this work was that, though it re-enacts Shakespeare’s tale of love, lies, jealousy, revenge and murder, it does so not by painstakingly acting out each scene from the play, but rather by creating moving portraits that evoke the raw emotions of the characters.  By leaving much of the backstory relegated to the program notes, it was possible to portray just as much plot as was necessary to frame the beautiful range of emotion.  I also loved the seamless blending of classical and modern; the ornate costuming and regal poses that belie Shakespeare, but also the modern rolled shoulders and flexed ankles that allow us to experience the true depth of the characters’ anger and anguish.  From the very opening scene this juxtaposition of the sumptuous life of warlord Othello and the ominous fog of ever-present foreshadowing snake through every movement. [Tingles!]

I also have to give a shout out to the amazing score by Academy Award winner Elliot Goldenthal [Totally a Jew] and its equally amazing performance by the Chicago Sinfonietta.  Add to this that the Auditorium Theatre was designed by famous Chicago architects Adler & Sullivan in 1889 with an aim to produce the best acoustics in the world. Not too shabby.  Sometimes I take for granted that ballets will be accompanied by a live orchestra (here’s looking at you, Don Quixote at the Kennedy Center…), but until you’ve seen a full-length ballet performed to canned music you may not appreciate how much live music contributes to the atmosphere of the production [TOTES truesies]. For example, in the opening act, although Othello, Desdemona and the townsfolk all seem to be happily enjoying wedding festivities, the ominous tone prevails with Goldenthal’s shrieking oboes and flaring horns telling us that something is amiss with Othello’s right hand man, Iago (no, not a parrot perched on the shoulder of an evil emir named Jafaar [RAAAAWK! Cave of Wonders!]).  And again in act two, while we’re promised a sunny tarantella, Goldenthal keeps with the ominous minor keys and gives us more of a Danse Macabre to guide the company, dancing Thriller-like with arms outstretched and wrists limp. [You know I love a good macabre danse.  Dance.  Whatever]

Picture2

Steve says: Tis the season! Speaking of which, I have like four leftover bags of Kit-Kat bars because like ten trick-or-treaters came to my door (my favorites being a pair of boys, one dressed as a hot dog and the other as a banana). What to do with so much chocolate...

As for the actual movement, the more modern aspects definitely prevailed.  While there was the typical partnering, company and pas de deux work that you would typically expect with a full-length work (but no ghosts or enchanted forests!!) [Huzzah!  Clear skies prevail!] , there were very few of the flashy steps usually associated with classical counterparts, for example only a handful of grand jetés, and no stunning series of 16/32/138 fouettés rond de jambe en tournant.  [Although I’m sure the record is probably around 138, I believe the longest choreographed set of fouettes that I can think of is 96 counts, as opposed to 64 (which equates to 32 fouettes).  The 96/48 fouettes is done in Ricardo Cué’s Snow White that was choreographed on Tamara Rojo.  And because she’s a goddess, she tosses in triples and doubles like it’s no big deal]  There were, however, an inordinate number of fish dives…[It’s still one of my lifelong goals to find someone who can throw me into a fish dive]

Anyways, I have no doubt that the success of this piece was in no small part a result of the amazingly trained company.  Down to every last person on stage it was clear that only impeccable training could result in a performance that conveyed the modern aspects of powerful love, hatred, fear, betrayal and anger while still portraying the restrained, classical atmosphere we would expect from a Renaissance court.  If this production ever tours to your area, don’t think twice.  You can bet that any ballet graphically depicting execution and strangulation must be unique and I cannot recommend this powerful piece highly enough. 

Picture3

Steve says: Okay, so I haven't actually read Othello, and I don't know what's going on here.

 Thank you Hilary with one L for such an awesome review!  You’ve got me interested, and I’ve added the San Francisco ballet DVD featuring Desmond Richardson and Tan Yuan Yuan to my wishlist.  I also checked out some clips on youtube of the main pas de deux, and there’s one of Alessandra Ferri and Marcelo Gomes that is STUNNING.  No words…just goose bumps!

Advertisements

One Response to “Sumptuously Ominous…or Ominously Sumptuous?”

Trackbacks/Pingbacks

  1. I’ll go with…Ominously Sumptuous « You Dance Funny, So Does Me - January 21, 2010

    […] a heavily requested item from the library because it took quite a bit of time to get it.  After a fantashtick review by Hilary with one L of the Joffrey’s production (that lucky ducky got to see it live), I’ve been excited to see it, albeit apprehensive because […]

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: