It’s okay to laugh in ballet

4 Feb

I find it hard to believe that anything could be more important in life than laughter.  So today’s post is all about ballet and comedy…ballemedy if you will.  Especially in a world is so grounded in tradition and formalities I think humor is often overlooked in ballet and it’s important to remind ourselves to think of humor as a completing element; nobody is truly human without it (is that not the essence of this blog…or of my life for that matter?).  Dancers themselves don’t always take things so seriously but when we see this scrupulously polished finished product on the stage, we forget that fact as the performers whisk us away into a world of fantasy and splendor.  So I present to you some evidence that ballemedy is alive and well, kicking us in the gut so we double over in laughter:

The first is a piece entitled Le Grand Pas de Deux, with choreography by Christian Spuck (the resident choreographer of the Stuttgart Ballet).  The music is Gioachino Rossini’s overture from his opera La gazza ladra (or The Thieving Magpie).  A fine piece with plenty of furious strings and a flittering piccolo melody that sounds like fun (although I’d rather shoot myself then play piccolo again.  While the piccolo itself is very cute, playing it can feel like trying to squeeze your face through a keyhole).  The overture certainly inspires a comedic air and is often used as such in popular culture, like that video on youtube of cats doing funny things…it should come as no surprise that the overture makes a fine incidence of ballemedy as well.  So Le Grand Pas de Deux debuted in 2000 (to who knows what kind of reviews…and who cares anyway?  It’s a great piece) and has all kinds of giggle-worthy moments.  I love that there’s a cow in a tutu onstage, wonderful little touches of odd looking choreography amongst a dazzling array of classical steps.  It’s one of those pieces that you can’t imagine would ever be boring for the performers.  Especially for such professionals I would think it would even be therapeutic to be able to take to the stage and get a laugh every now and then, amongst the plethora of applause, flowers and even tears.  There are a few performances of this on YouTube, of them I most enjoyed  Julia Krämer and Robert Tewsley of the Stuttgart Ballet:  

Next we have a gala…performance (not quite a piece) with lots of cross-dressing, role reversals and a large hammer.  This came from the World Ballet Festival in Tokyo, where principals from top companies all over the world gathered to dance like they never have before.  You have Vladimir Malakhov as Giselle, partnered by Diana Vishneva as Count Albrecht and Malakhov is surprisingly proficient at pointe, a rare talent for a danseur.  Their lifts were absolutely breathtaking and set a new standard for dancers aspiring to perform the principal roles.  Aren’t you glad my last post was about Giselle so you know what I’m talking about?  Moving on, the gala performance included many famous variations like the Bluebird variation from Sleeping Beauty (with a tragic end) but they saved the fireworks for last; Natalia Osipova doing the male variation from The Flames of Paris.  With a giant hammer (of which I couldn’t discern the purpose of such an implement, but if I know Japan, I know they love their giant hammers.  Purpose?  Not necessary.).  The crowd goes nuts when she leaps onto the stage, ascending to heights that earn her own strata in Earth’s atmosphere that is aptly named the Osipovasphere.  I’m amazed that she basically does the male variation in its entirety (with a few interpolations…although I highly doubt she’s incapable of a pas de ciseaux, aka “switch leap”).  Great to see her get to jump in regular ballet shoes instead of pointe shoes as well…that has to be liberating.  Enough talk, now video:

For the last shred of ballemedy I would like to draw your attention to a former ballet dancer, Megan Mullally.  Prior to her days (much prior, actually) as the martini soaked, piccolo-voiced Karen Walker on the NBC sitcom Will and Grace, Mullally was in fact a soloist with the Oklahoma City Ballet when she was in high school, dancing with them for five years and attending summer intensives at the School of American Ballet.  During interviews in promotion of the remake that must not be named (Fame), Mullally recalled her experiences at SAB (housed in the Juilliard building), talking about how strict and disciplined it was and how old Russian ladies would say mean things while wearing sunglasses (“Make plié!” Perhaps?).  It was the acting in ballet that she was most drawn to and actually inspired her to leave ballet and pursue acting as a career instead.  But you know what they say…you can take the dance out of a dancer but you can’t take the dancer out of…mmmkay.  You know what they say.  At any rate, in more recent years she became a fan of SYTYCD and even had the nerve to skip a meeting for her own talk show that was set to premiere, just to attend the finale.  For which, not only did she not have a ticket, she was also busted for snapping photos inside, which they so kindly announced over the intercom: “Ladies and gentlemen, Megan Mullally is in the house and she’s taking pictures illegally.”  She obviously continues to enjoy dance, even if it isn’t the main priority in her life and it’s funny where your past experiences can take you.  We all know the benefits of having experience in dance because it develops internal rhythm and musicality, but whoever thought such talents could be called upon in a situation like this:

Oh Megan.  How I heart you.  My friend Liz said that she hopes Megan was paid a lot for that (a shorter, edited version ahs been hitting the television waves as a commercial), to which I merely replied, “Hell, I’d do that for free!” (and videotaping?  Not necessary).  Clearly, Liz has also forgotten what it’s like to go grocery shopping with me in the first place.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: